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Unread book in perfect condition.

Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

4°. 28 x 22 cm. [ca. 260] Seiten. Farbig illustrierte Original-Broschur. (= Moderna Museets utställningskatalog, 374). Erstausgabe. Dreisprachige Ausgabe in Deutsch, Englisch und Schwedisch. Durchweg mit zumeist blatt- und doppelblattgroßen Fotografien in Schwarz-Weiß und Farbe. Katalog zu den Ausstellungen im Moderna Museet, Stockholm, 06. 10. 2012 - 20. 01. 2013 und der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, K21 Ständehaus, 02. 03. 2013 - 07. 07. 2013. Kanten etwas berieben, ansonsten sehr gutes Exemplar. Sprache: deutsch, englisch, schwedisch.

30.4cm x 40cm. 7 volumes, colour illustrations. Cloth, illustrated onlays, slipcase. "Hilma af Klint became known to a wider audience in 2013, nearly 70 years after her death, in conjunction with Moderna Museet's Stockholm exhibition Hilma af Klint: Abstract Pioneer. Six years later, her work was exhibited at the Guggenheim Museum in New York. Both exhibitions saw record numbers of visitors, and today she is one of the world's most acclaimed artists. The paintings in the catalogue raisonne are presented in the same order as Olof Sundstrom, also a follower of anthroposophy, numbered them in 1945, based on Hilma af Klint's notes. The forewords to the volumes are short and concise. They present facts about the works rather than interpretations. The works are printed in an exclusive edition designed by Patric Leo housed in a specially produced slipcase to hold all seven volumes." (publisher's blurb) Edited by Daniel Birnbaum and Kurt Almqvist. Shipped Weight: 16.68 kilos. ISBN/EAN: 9789198523669.

The experimental character of Stockholm's renowned Modern art museum, the Moderna Museet, was formed in the late 1950s and early 60s, with influences coming primarily from Paris and New York. To mark the museum's fiftieth anniversary this year, three exhibitions focus on other creative hubs--Rio, Milan-Turin and Los Angeles--during that exciting period. Three volumes, available singly or in a 3-volume, slipcased edition, are definitive resources on this trio of cultural centers that don't often get center stage.In the 1950s, Rio expanded into a metropolis of nearly 2.5 million inhabitants. The word of the moment was new: Neoconcretism in art, Bossa Nova in music and Cinema Novo in film. The first volume of this set explores this theme, with work by Lygia Clark, Hélio Oiticica and Lygia Pape among others.The second volume of this edition explores the influential Northern Italian art scene between 1958 and 1968. Highlights include a history of Arte Povera and an introduction to film and design trends of the time. Artists like Lucio Fontana, Piero Manzoni and Michelangelo Pistoletto are surveyed in detail.This third volume of the Place & Time series highlights the interplay of utopia and dystopia--sunshine and noir--that characterized Los Angeles in the postwar era, and which has since vitally impacted contemporary art. Works by Ed Ruscha, David Hockney, Ed Kienholz, Sam Francis and James Turrell, among others, form the core of the volume, and the diversity of artistic practices explored here reveal similar influences, but a variety of media and methodologies. Also included are key illustrations of how the era was defined in all areas of culture: for example Arts & Architecture magazine's experimental program for residential architecture, the Case Study Houses--an example of the utopian side of the California scene at that time--which aimed to create well-designed and inexpensive housing for soldiers returning from World War II.